-
-
Lynch has focused her unsparing eye on the sun and the road, the subjects which define her time spent in Puglia, Italy last year. Lynch reflected, "It was the sun and the road, and just how free it felt. It was really rugged." This body of work was largely inspired by Puglia but painted back in her studio in Catskill, New York, while other works in the exhibition were created from her time spent at the Truro Center for the Arts at Edgewood FarmResidency in Truro, Massachusetts, embodies Lynch's longtime occupation and "crowning achievement as a painter: capturing the liminal spaces that define the essence of a given place," as written by painter-critic Patrick Neal.
-
Landscapes are rendered timeless, parsed into near symbols: a road is represented by an intrepid cascade of ochre red, cars emerge as suggestive lines and blots of safety-orange, the sun is emphatically reduced to a vermillion orb. In paint handling, Lynch is sparing, working with confident brushstrokes in thinly veiled washes thrown open by the climactic flash of a brilliant tangerine sun. In many of these works, which are marked by a nebulous haze that engulfs the subject matter, the sun is not only the principal subject, but also the primary actor. “When the sun is really big, it actually makes you squint, and it creates a white haze… the sun itself has sort of created that haze… You can’t really look at anything so you’re just peeking.” Lynch uses these snapshots of memory and feeling to create dream-like and distinctly atmospheric works that not only capture the drama of different hours of the day and effects of light and time on a place, but also the experience of being present in those times, lights and places, of being within and subject to nature.
-
-
“I am not painting a specific place, I’m painting a specific mood and feeling about a place,” Kathryn said. “Seasons change the moods and feelings about a place. Many a poet has based their poetry on seasons, and I am basing my paintings on seasons.” A sage of place, Kathryn parses the new accumulation of imagery into universally resonant moments.
-
-
Painterly and patient, Lynch lets her unconscious unpack what it has seen - prosaic subject matter that, through excavation and simplification, emerge as transcendent testaments to essentialism and the universality of human experience in nature. For Lynch, these pursuits are always autobiographical. "I think roads are very symbolic to me just in terms of feeling like I'm on an open road when I'm in my studio. Painting is kind of like a road to somewhere, but you don't know where you're going…. I'm interested in how light falls, the shapes that are made in nature, and how through paint it transforms itself into mood and feeling… They're very simplistic, so they are not really about that particular road; they're about everything a road conjures, everything it symbolizes."
-
-
-
HERE COMES THE SUN AND OTHER SITUATIONS: KATHRYN LYNCH
Past viewing_room
